| From 2006 through 2009 we designed
three small houses on an island for an extended family. We were
asked to design a main house and a guest barn and later a home
for family members. (See Prefabricated Two Family). The main
house was arranged to save the most level and grassy spot on
the point. The trees in this area were watered and fed a year
before construction. The contour of the ground and the trees
remains unchanged around the house. The main house has a living
space and a master bedroom under separate roofs, and an office
connecting the two.
The owners had no preconception of what the house might look like, except that it should have a low profile, being concealed as much as possible in the landscape, in sharp contrast to the grand, white, turn-of-the-century houses on this island, which stand at attention against the fir and spruce. We invited them to look at a library of hundreds of images of residences from all over the world. They both gravitated to the clean lines of Japanese and Scandinavian design. The interiors are finished with Douglas fir and reclaimed southern yellow pine floors. The house is rigorously detailed, like a large set of cabinets. Exteriors are red cedar shingles and trim, with standing seam copper roofs. Furnishings include 19th century American paintings and artifacts, and contemporary Japanese ceramics.
The first floor of the guesthouse is comprised of a "barn" for
boats, vehicles and games on a rainy day. The second floor is a
guest quarters with two bedrooms and a living area. The guest barn
exterior is of the same material as the main house, but the interior
is whitewashed pine. Cold Mountain Builders of Belfast was the
general contractor. Mohr & Seredin of Portland were
the landscape architects. Karin Thomas of Camden selected the furnishings.
This project was cited for design excellence by the Maine Chapter
of the American Institute of Architects in 2008. |

Main House |
Doorway from the living room to
the office and on to the master bedroom. |
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